26th February - 7th March 2020

“When shall we three meet again in thunder, lightning, or in rain?”

Victorious from a bloody battle the triumphant Macbeth is greeted by the three weird sisters. Inspired and driven by their incredible prophecies he sets out on the path to conquer all. A story of ambition, leadership and belief.


Shakespeare’s supernatural and bloody Macbeth bursts on to the stage in this epic new ensemble production and features as the first production in our third year-long residency at Greenwich Theatre.

Macbeth is produced in association with The Greenwich Theatre and is part of our Greenwich Made / Greenwich Played residency.

#Shakespeare #Macbeth

This production has now closed

Dates  Feb 26th - March 7th 2020

Tue – Sat at 7.30pm, 

Tue, Thu and Sat matinee at 2.30pm

Venue The Greenwich Theatre
Tickets £25.00, £15.00, £10.00. 
£15.00 concessions on top price tickets.
Box Office  020 8858 7755
Run time 2 hours,10 minutes including a 15 minute interval

Age recommendation 12+

Macbeth is suitable for patrons aged 12 and above.
Contains haze, gun shots, blood and scenes of violence. 

★★★★ “A fiercely modern Macbeth…

This is a thrilling and powerful Macbeth

 full of invention and innovation”

Claire Roderick, Fairy Powered Pro

Aged 16-26?

In response to the decline in arts participation and in conjunction with the 50th Anniversary of the Greenwich Theatre we shall be offering 50 tickets at each performance for just a £5 to patrons aged 16–26.


Use the code "50@FIVER" in the checkout when booking online and collect your tickets with proof of age from the box office on the night you’re seeing the show. (Available on £10 tickets, maximum of two tickets per transaction.) 


Simple.

Post Show Q&A

Terri Paddock is a theatre journalist, event producer and content and social media marketing strategist with over 20 years’ experience. Terri will be returning to chair the discussions. 

Macbeth Post Show Q&A; Tuesday 3rd March

Venue Greenwich Theatre

Tickets are free to all ticket holders for that evenings performance.

Production shots taken by Adam Trigg

★★★★ “A stunning and accessible version… 

Pure inventiveness… A visionary look at staging classic work”

Stephen Vowles, Boyz Magazine


Cast

Cameron Nelson -
 Weird Sister / Donalbain / Doctor  

David Clayton -
 Weird Sister / Macduff 

Darcy Willison - 
Angus / Lady Macduff

Fred Thomas - 
Malcolm / Apparition

Hamish Somers -
Captain / Weird Sister / Lennox

Jamie O'Neill -  Macbeth

Lewis Davidson -  Banquo / Apparition

Luke Ward-Wilkinson -  Duncan / Apparition

Mikko Juan -  Ross / Messenger / Doctor  

Alice Emery -
 Lady Macbeth

All other roles played by the company
To see full company credits please click here

Follow the Macbeth company in rehearsal by following our rehearsal room blog here

Creative

Written by William Shakespeare

Adapted, Directed and Designed by Ricky Dukes

Lighting Design by Alex Musgrave

Sound Design by Phil Matejtschuk

Costume by Sorcha Corcoran

Dramaturge – Sophie Duntley

Stage Manager – Juliette Green

Assistant Stage Manager -  Daniela Sutcliffe

Assistant Director – Lata Nobes

Movement Captain – David Clayton

Company Photographer – Adam Trigg

Production Graphic Designer – Bobby Bowyer

Producer – Gavin Harrington-Odedra

★★★★ “Lazarus has once again delivered a new take on an old classic”

Terry Eastham, Last Minute Theatre

Did Shakespeare’s contemporaries believe in witches?

Carole Levin looks at witchcraft trials in the 16th century and considers their relation to the ‘weird sisters’ of Macbeth.

While king of Scotland, James VI became utterly convinced about the reality of witchcraft and its great danger to him, leading to trials that began in 1591. James was convinced that a coven of powerful witches was conspiring to murder him through magic, and that they were in league with the Devil

Read more about witchcraft and in the Elizabethan and Jacobean period with our friends at The British Library here.

★★★★ “Lazarus Theatre’s ensemble-based take on Macbeth at Greenwich Theatre proves thrilling in its stylish directorial vision… It’s a bold resetting”

There Ought to be Clowns


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